Arpeggios

In this system, the arpeggios will be from the harmonized Harmonic Minor scale. Since the scale consists of the tones R, M2, m3, P4, P5, m6, and M7, it has a unique harmonized scale. The scale has some odd chords not found in the major harmonized scale and may be new to many players. The arpeggios are as follows: minor/Major7, minor 7b5, Major7#5, minor 7, Major 7, and diminished. 

The harmonized harmonic minor scale has long intrigued musicians with its unique intervallic structure and exotic tonal qualities especially the minor/Major7 arpeggio and the Major7#5 arpeggio. In System Ten we delve into the 7 chords of the harmonized harmonic minor scale. 

The harmonic minor scale, characterized by its raised seventh degree, imparts a distinctively exotic flavor to Western music. When harmonized into chords, the harmonic minor scale yields a rich palette of tonal colors, offering composers and improvisers a wealth of harmonic possibilities. Our study aims to explore the harmonized harmonic minor scale in depth, dissecting its structural components and getting the arpeggios under our fingers.

Because of the augmented second interval between the sixth and seventh degrees, the harmonic minor scale and its associated harmonized harmonic minor chords have a very unique sound. This interval, often referred to as the “harmonic minor leap,” is pivotal in shaping the scale’s unique sound. 

By understanding the harmonic minor scale and its structural components and harmonic implications, composers and musicians can harness its expressive potential to create evocative musical landscapes across various genres and styles. 

We will play each of the forms individually and then combine them into each form of the CAGED system.