6th Diminished Scale

Barry Harris is a widely known proponent of this scale and its usage. It is also known as the major bebop scale.

The 6th Diminished scale is a crucial tool in the arsenal of any jazz musician. The 6th diminished is a variation of the traditional major scale, with the addition of an extra chromatic passing tone. This added note typically falls between the 5th and 6th degrees of the scale, creating an eight-note sequence that seamlessly connects the chord tones.

One of the primary functions of the 6th Diminished scale is to facilitate smooth and flowing melodic lines over major chords and progressions. By inserting the chromatic passing tone, the 6th Diminished scale addresses a common issue in traditional major scale improvisation: the lack of a leading tone between the 5th and 6th degrees, which can create a sense of stagnation in melodic movement.

The 6th Diminished scale is particularly effective when navigating through chord changes in a jazz context. Its inclusion of the extra chromatic note ensures that every chord tone is approached by a step or half-step, allowing for melodic lines that effortlessly outline the underlying harmony.

Whether you’re a budding jazz improviser or an experienced musician, understanding and mastering the 6th Diminished scale opens up a world of melodic possibilities and enhances your ability to navigate complex harmonic landscapes with confidence and creativity.